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Frieze London

Booth D15

October 9 – 13, 2024

Ana Mendieta  Untitled (Facial Hair Transplants), 1972 Suite of seven color photographs
Ana Mendieta, Untitled: Silueta Series, Iowa / From Silueta Works in Iowa, 1976-1978, 1976-78 / 1991
Yoko Ono, Franklin Summer, 1995
Yoko Ono, Franklin Summer, 1995
Yoko Ono  Franklin Summer, 1995  Ink on paper
Martha Rosler, North American Waitress, Coffee Shop Variety, 1976
Martha Rosler, (Old) Bride, or Bridal Party, from the series Body Beautiful, or Beauty Knows No Pain, c. 1966-72
Pinaree Sanpitak  Within the Body, 2024  Acrylic, fabric, silver leaf
Nancy Spero  Relay, 2000  Handprinting and printed collage on paper
Nancy Spero, Sheela-Na-Gig at Home, 2000
Nancy Spero, The Exhibitionists and Dancer, 1996
Frieze London
Frieze London
Frieze London
Frieze London
Frieze London

Press Release

Galerie Lelong & Co., New York, is pleased to participate in Frieze London 2024 with a group presentation focused on depictions of femininity. Featuring works by Ana Mendieta, Yoko Ono, Martha Rosler, Pinaree Sanpitak, and Nancy Spero—five artists of different generations and nationalities working in varying mediums—the presentation highlights the gallery’s longstanding commitment to championing women artists. 

An early work by Ana Mendieta, Untitled (Facial Hair Transplants) (1972), made when she was a graduate student at the University of Iowa, will be on view. In this performative act, Mendieta slowly and deliberately transferred the facial hair of a friend onto her own face in the Intermedia studio at the university. Of the work, Mendieta wrote: "I like the idea of transferring hair from one person to another because I think it gives me that person’s strength." A new painting by Sanpitak, Within the Body (2024), will make its debut at the fair. Following the birth of her son, Sanpitak

centered representations of the breast in her practice to epitomize the beauty she found in the experience. Through North American Waitress, Coffee-Shop Variety (Know Your Servant Series, No. 1) (1976), Rosler interrogates the exploitation of women's labor, highlighting through a series of diagrams and documentation mimicking a field guide the inhuman and unattainable standards set for women. The presentation will also include works on paper by Yoko Ono and Nancy Spero. Ono’s art has long pioneered the ideas of feminism, and a suite of drawings that depict abstracted bodily forms will be on view. A sculptural installation and large-scale frieze by Spero in her signature styles of collage and printing demonstrate how the artist pushed the medium beyond its conventions and are populated by depictions of women originating from diverse cultures that Spero incorporated into her print-making lexicon.

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